Queen Elizabeth II 1926-2022 Shirt , hoodie, sweater, long sleeve and tank top

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P.L.N. was one of the most talked about shows in Copenhagen, in part, because the designer’s dark and moody aesthetic is so distant from the colorful, arty bohemianism usually associated with Danish fashion. Just as impactful was the sense of community around the brand, literally, as the open-air set-up at the show allowed access for a big audience. It’s important to note that that community is largely enhanced by social media. Nielsen first connected with Demna online, and that’s also how he met the Kanye West-approved Blackhaine (a.k.a. Tom Heyes), a British artist who performed live at the show with the Manchester-based duo Croww. Aalto University graduate Ervin Latimer caused a stir at Pitti Uomo last season when he combined his experience in ballroom culture with fashion. For his CPHFW debut the Helsinki-based designer wanted to keep the spotlight on the clothes, so he toned down the drama a little bit; the Latimmier show was presented in a gym where athletes were lifting weights and doing flips until just before the first exit. The collection was mostly focused on deconstructed tailored pieces (some, like shirts that separated from the shoulder seemed to nod to Renaissance portraits) that spoke to Latimer’s interest in gender, and the construction — and performance — of masculinity. For this designer clothes and identity go hand in hand.

Queen Elizabeth II 1926-2022 Shirt , hoodie, sweater, long sleeve and tank top

Buy it: Queen Elizabeth II 1926-2022 Shirt , hoodie, sweater, long sleeve and tank top

Takeshi Kitazawa takes a long-term view when it comes to life, and fashion. One example of this is the way he conceived of his fall 2022 and spring 2023 shows as a unit; both dedicated to the late Japanese artist and AIDS activist Teiji Furuhashi, specifically the posthumous work “Lovers, 1994,” in which images of bodies interact and dissolve into darkness. “The previous [season]was a deconstruction and reconstruction of ‘Lovers, 1994,’ and this [season] is an expansion of that work,” explains the designer who has worked the theme in video format and in the design and presentation of the collection, rendered mostly in blacks and grays and shot on a black background. Both collections, viewed with no knowledge of the framework, are focused on beautiful, monochrome tailoring, which Kitazawa uses as a carapace to contain what he describes as “our uncertain human bodies.” Bodies, which the designer views as existing beyond the confines of gender and abetting the self-determination of the wearer. Last season, the idea of seeing yourself through clothing seemed to be symbolized by the designer’s use of mirror embellishments. For spring, transparent word-prints seem to be a sign of the designer’s desire to get beneath outward-facing (and reflectable) surfaces and move beyond the constructed persona to unlock the psyche, (which might explain the key broaches seen on lapels). Keys, in general, can be used in expansive or restrictive ways (opening and closing or locking), but, like Furuhashi, Kitazawa’s message is one that accepts the fluidity of time and experience, the syncopation of existence and disappearance. “I think it is a good experience to let go of the ordinary and surrender to the extraordinary through images and music that have no beginning and no end,” he adds.

Product detail: This unisex ultra cotton tee is a classic. Quality cotton construction means that designs are sure to shine. The shoulders are tapped for a good upper-body fit. There are no side seams, ensuring a clean, unbroken flow. The collar has ribbed knitting for improved elasticity. The materials that went into this product are sustainably sourced and economically friendly.
– 100% Cotton (fiber content may vary for different colors)
– Medium fabric (6.0 oz/yd² (203 g/m²))
– Classic fit
– Runs bigger than usual
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